I just found my next favorite collection, courtesy of one Mr. Dries van Noten. He artfully juxtaposed opulent gold lace and embroideries with sportswear vests, let gold ruffles peek out under grey sweatshirts and cascade down the sides of simple cotton dresses or attached gold, super-sized rosettes to the hip of an equally ruched skirt. I asked myself, why do I like this so much? Well, the idea of playing with opposite aesthetics, with the feminine and masculine, combining decadent gold leather or lace with much simpler textures and colors is immensely appealing. And van Noten wasn’t the only one who did it (although for me, in the most original and interesting way). Haider Ackermann, the grand master of gender play, used  shimmering metallic fabrics on a boxy man’s jacket or slouchy shorts. Joseph Altuzarra put his model in a shimmering gold skirt and a simple white shirt. Alber Elbaz at Lanvin showed a thoroughly shimmering collection, not so much mixing the metallics with anything simpler. At Margiela, you had a heavily embelished, totally sequined gold top worn with man’s trousers. And of course, who could forget Proenza Schouler back in New York and their beautiful gold and chrome dresses and shimmery delicate pleated skirts. What do you think, do you like this as much as I do?

DRIES VAN NOTENDries van Noten_1 Dries van Noten_2 Dries van Noten_7 Dries van Noten_8 Dries van Noten_9 Dries van Noten_11 Dries van Noten_15 Dries van Noten_16 Dries van Noten_17 Dries van Noten_18

HAIDER ACKERMANNAckermann_Gold_1 Ackermann_Gold_2 Ackermann_Gold_3 Ackermann_Gold_4 Ackermann_Gold_5 Ackermann_Gold_6

ALTUZARRAAltuzarra_Gold_1

LANVINLanvin_Gold_2 Lanvin_Gold_1

MAISON MARTIN MARGIELAMargiela_Gold_2Margiela_Gold

PROENZA SCHOULERProenza Schouler_6 Proenza Schouler_5 Proenza Schouler_4

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