Archives for posts with tag: Photography

During a residency at the Center for Photography in Woodstock, New York, the artist Endia Beal took a group of middle-aged white women to a black hair salon. There, they were given a hairstyle typically seen on black women. After being styled, the women were photographed in a traditional corporate portrait.
The idea for this project came to Beal when she was working in a computer lab at Yale. Sporting a large red afro herself, she heard that many men in the office wanted to touch her hair. Her art project originates from this experience and wants to open discussion about different race, gender and generations. Beal raises questions about how we see ourselves, especially in the corporate world, as the ideal corporate appearance remains, in most cases and even for white women, the white male with his power suits.
For this series, she specifically wanted to work with women at least in their 40s: “I wanted people that had a certain idea of what you’re supposed to look like in the workspace, because it would be a challenge for them to understand what I experienced in that space,” she said. “ And to a degree, many young white women have shared that experience, but for older white women it’s an experience they haven’t necessarily had.” She added that the project is all about taking a risk, stepping out of your comfort zone, and trying out a new experience. Besides the physical opposition between a white woman and her black hair, the most compelling aspect of this work are all of the complicated histories, assumptions, silences and transformations that make the viewer see this issue as a discrepancy in the first place.

AnnAnn BethBeth CharlotteCharlotte ChristinaChristina ChristineChristine EllenEllen LynnLynn ©Endia Beal

The Ardorous is an online art platform showcasing feminist projects of female creative professionals curated by Petra Collins. Arvida Bystrom is one of the artists featured on the site; her photo series “Lolita” show young girls portrayed in the usual dreamy fetishizing manner very often found in fashion magazines and as described by Nabokov himself in his eponymous novel. Bystrom’s pictures have a subversive quality in the undesired and unsightly body hair that hasn’t been shaved as is usually the expected norm.
emma emma2 emma3 emma4 emma5 emma6 emma7©Arvida Bystrom

Sun City, Arizona, is a town near Phoenix with a population of over 37,000 retired residents all living there. The community is renowned for being a senior citizens’ paradise. When London-based photographer Todd Antony recently visited the town, he met ‘The Sun City Poms’, the town’s cheerleading squad. They formed in 1979, recruiting 55-year-olds (and older!) to support the Sun City Saints women’s softball team. Today, the group entertains at around 50 shows per year.
Antony says on his blog: “While I was [in Sun City] I couldn’t help but think that with the American obsession for child beauty pageants, you have one age group of society trying to grow up way too fast, while at the other end of the age scale another group strives to hold back the years in some way. And does a pretty damn good job of it really.”
The Poms say of themselves that they represent the fulfillment of life at any age. They add: “Performing with spunk and energy of their youths, these ladies share positive aspects of retirement and aging, and shatter conventional images of “senior citizens.”
What I love about the women in the pictures are the grace, beauty and great sense of pride and energy they exude.

GretaGreta LoisLois ShirleyShirley The groupThe group TommieTommieAll images ©Todd Antony

Last week, I was asked by the people of the Frankfurt Book Fair (who happens to be the world’s largest) to take pictures of stylish visitors and exhibitors for their lookblog tumblr. Great! I thought. But wait a minute… Are there even stylish people at a book fair? It’s not NYFW, after all, where you stumble over fashionistas, whether you like it or not. And indeed, it wasn’t easy to find the handful of people who weren’t clad in shapeless jeans, t-shirts and “reasonable” shoes. But I did find some beautiful women and men with a great sense of personal style, after all. So, this is what I have been up to in the last couple of days. You can find all pictures here, and below some of my personal favorites.

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In the southern state of Oaxaca, Mexico, live so-called muxes: Men who think of themselves as women. What is so exceptional about this is the fact that they are not marginalized or bullied, but accepted and celebrated. Their social status reaches back into times before Mexico became Catholic, when there were cross-dressing Aztec priests and the culture was inherently flexible in regard to gender. Of course, like in most – if not all – Latin American countries, machismo prevails now and there is not much room for different attitudes towards sex. But in the state of Oaxaca, things managed to remain more fluid. The population believes that the muxes have special intellectual and artistic gifts, that they are lucky, chosen people, colonizing the volatile state between genders. They are considered a third gender rather than having a particular sexual orientation.
Nicola “Ókin” Frioli travelled to Juchitán and photographed the muxes for his series “We Are Princesses in a Land of Machos”. Stunning pictures and beautiful people.








©Nicola “Ókin” Frioli

One of my favourite things to do in New York is to walk over the Brooklyn Bridge; breathtaking construction and gorgeous view.  As you can see, I’m not the only one:IMG_5531IMG_5433IMG_5428IMG_5427IMG_5565IMG_5522IMG_5446IMG_5445IMG_5455IMG_5569IMG_5422

So, why am I showing you this editorial, shot by Alasdair McLellan for Purple Fashion Magazine‘s Fall/Winter 13/14 edition? First of all, I really like Cara Delevingne’s face. Hmmm, that came out kind of weird… I think she has very striking features. Yep, that’s better. Then I really like the slightly defiant expression she’s sporting throughout the shoot. She isn’t trying to be sexy or to look older than she is. She just looks like the teenager she is (wearing clothes a normal teenager wouldn’t possibly be able to afford, but that, of course, is totally besides the point). She looks sulky, somehow uneasy with the world, insecure but very much thinking that she just knows everything better than any old adult trying to explain her the world. In some of the pictures, she almost seems kind of shy, but never submissive or the object of a leering audience’s attention. So, well done, Cara and Purple Fashion Magazine.CARA DELEVINGNE BY ALASDAIR MCLELLAN FOR PURPLE FASHION MAGAZINE FW 13.14_2Cara Delevingne Purple Fashion Magazine FW 2013Cara Delevingne Purple Fashion Magazine FW 2013-001_1Cara Delevingne Purple Fashion Magazine FW 2013-003Cara Delevingne Purple Fashion Magazine FW 2013-004Cara Delevingne Purple Fashion Magazine FW 2013-005Cara Delevingne Purple Fashion Magazine FW 2013-006Cara Delevingne Purple Fashion Magazine FW 2013-007Cara Delevingne Purple Fashion Magazine FW 2013-008Cara Delevingne Purple Fashion Magazine FW 2013-009Cara Delevingne shot by Alasdair McLellan

You make assumptions about someone the minute you see this person – about their status, their personality, heck, probably even about their sex life. Everybody does that, it’s normal; I guess you could call it human nature. But isn’t it interesting that you probably do that even if you only see part of the person’s body? You don’t think so? Well, try looking at these women’s legs without your mind instantly starting to guess what kind of woman she is. Stacey Baker, an associate photo editor at The New York Times Magazine, is the photographer behind these pictures. Since March, she has photographed more than 300 legs in New York City. The idea for the project, called Citilegs, came when she was passing through the lobby of the Waldorf Astoria Hotel on Park Avenue and saw a woman with delicate legs wearing a pretty black coat.  “For some reason, I thought it would make a nice picture”, she says. Well, I find the pictures strangely captivating; they really make me want to see and know more about the women behind the legs, or rather, above them.


Jon Uriarte is a Barcelona-based photographer who portrayed a series of men wearing their girlfriends’ clothes. But don’t expect to see a bunch of glammed-up, feather-boa wielding and six-inch stilettos wearing dudes, like one would normally expect from men in drag. Instead, in “The Men Under the Influence”, Uriarte shows them wearing everyday outfits that look very unique on their bodies. He says that this series of portraits “address the recent change in roles in heterosexual relationships from the relationships of our predecessors and how those changes have affected men in particular. The photos attempt to capture men’s sense of loss reference, now that women have taken a step forward and have finally come into their own as equal partners. The project consists of full-length portraits of men wearing the clothes of their girlfriends or wives, taken in the space shared by the couple.”
I like the different expressions on the men’s faces, they range from scepticism to contentment, from pride to cautious expectation. While the pictures have an eerie beauty about them, one question remains, however: How did all the men fit into their girlfriends’ clothes? No, seriously?